23rd Singapore International Film Festival
    • Asian Feature Film Competition
    • Singapore Short Film Competition: Finalists
    • Singapore Short Film Competition: Non-Finalists
    • Director's Focus: Bruce Beresford
    • Dance: Movement in Film
    • New York Avant Cinema Series | 2010
    • German Film Focus
    • Women in Film
    • Singapore Panorama
    • Cinema Today
    • In Focus
    • Imagine
    • International Shorts
    • Seeing Music, Hearing Film
 
[ Sections ]
Cinema Today
  • Introduction
  • (Vaghti Limooha Zard Shdand) When the Lemons Turned Yellow
  • 9:06
  • Au Voleur (A Real Life)
  • Being in Heaven
  • Brecha
  • Cameroon Love Letter (For Solo Piano)
  • Ek Tho Chance (Last Chance Mumbai)
  • En Plein Coeur (Straight to the Heart)
  • Jesen u mojoj ulici (Autumn in My Street)
  • Kara Köpekler Havlarken (Black Dogs Barking)
  • Kenjak (Donkey)
  • L'enfance d'Icare (The Way Beyond)
  • Ling Hun De Lu Cheng (Everlasting Moments)
  • Lištičky (Foxes)
  • Magma
  • Mammoth
  • Män som hatar kvinnor (The Girl with the Dragon Tattoo)
  • Menteur (Liar)
  • My Flesh My Blood
  • Nae Sa-rang Nae Geot-e (Closer to Heaven)
  • Phobidilia
  • Quanto Dura o Amor? (Paulista)
  • Rabeya (The Sister)
  • Rudo y Cursi (Rude and Vulgar)
  • Ruma Maida (Maida's House)
  • Santina
  • Second Moon
  • Shake Hands with the Devil
  • Shirley Adams
  • Snow and Ashes
  • Spring Forward
  • The Fading Light
  • The Headless Woman
  • The Limits of Control
  • Unreal Forest
  • Wu (Fog)

Kara Köpekler Havlarken (Black Dogs Barking)

By Mehmet Bahadir Er, Maryna Gorbach / Turkey, Ukraine / 2009 / NC16 / 90

Producer: Mehmet Bahadir Er Screenplay: Mehmet Bahadir Er Cast: Cemal Toktas, Volga Sorgu Tekinoglu, Erkan Can, Taylan Ertugrul

Lido 5
18th Apr, 4:15pm
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A dynamic shooting style, pitch-perfect written street lingo and a transfixing dog-eat-dog story form the essence of this exciting first feature about two friends who get into deep trouble in Istanbul's chaotic underground scene. At times funny, at time tragic, this film is, fore mostly, jolting in its authenticity and does for Istanbul what Scorsese did for Little Italy.